Friday, July 10, 2009

Go and see........"Pourers functional vessels" at Object


Forest Fungi -little jugs Shannon Garson

"Pourers- Functional Vessels" is showing at Object Gallery during the Australian Ceramics Triennale. With over 30 artists this exhibition promises to be a fascinating snapshot of contemporary studio pottery in Australia.
The artists include........
Sandra Black, Les Blakebrough, Louise Boscacci, Mollie Bosworth, Sandra Brown, Trisha Dean, Brigitte Enders, Phil Elson, Lesa Farrant, Susanne Fraser, Honor Freeman, Louise Fulton, Shannon Garson, Malcolm Greenwood, Vicki Grima, Tamara Hahn, Phil Hart, Patsy Hely, Jan Howlin, Marianne Huhn, Chiko Jones, Sandy Lockwood, Liz Low, William Lungas, Janet Mansfield, Keiko Matsui, Bruce Nuske, Cath O’Gorman, Simon Reece, Mel Robson, Owen Rye, Jane Sawyer, Steve Sheridan, Kenji Uranishi, Yi-Hui Wang, Gerry Wedd, Sharon Wessels, Andrew Widdis
.......And there is a great blog where you can find previews of the lovely pouring, tea-drinking, sake sipping, oil drizzling, gravy boating, vessels.



Pourers: functional vessels
When:
11.07.2009 - 26.07.2009
Where:
Object Gallery - Surry Hills, Sydney

An introduction to "Tablewares- an international collection"


Jane Sawyer’s work is a contemporary interpretation of hakeme brushwork popularized through the Japanese mingei movement. She uses line in a loose gestural way which accentuates the soft form and also the very nature of creation of the pot.
The three "meager" elements, terracotta clay, white slip and clear glaze combine with the movement of the artists body and hands to create these powerful statements on the physical world. One thing I really admire about Jane Sawyer's work is that despite their abstract, sculptural quality these pots retain their original purpose by being usable tableware. In this way Sawyer’s pots are using form and brushwork to draw attention to the process of making but also in their tactility seduce the user to contemplate the process of using the pot.
Revel in the tactile joy of Sawyer's process in this film.........
See Jane Sawyer's work as part of a group show "Tablewares – an international collection"
This exhibition curated by Prue Venables and Gwyn Hansen Pigott promises to be fabulous with works by A great bunch of internationsl Clive Bowen , Takeshi Yasuda , Wally Keeler,
Richard Batterham, Jeff Oestreich, Linda Christianson, Chris Weaver and nine Australian artists.
“This is a selection of makers whose work excites us by its energy, inventiveness, and craftsmanship. Our aim is to celebrate and share with a broad audience the qualities of pots that are made to be used and handled and taken into our domestic lives – objects we get to know intimately, and whose qualities delight and nourish us over the years.” Gwyn Hanssen Pigott and Prue Venables
Tablewares – an international collection
When:
14.07.2009 - 08.08.2009
Where:
Rex Irwin Art Dealer - Woollahra, Sydney

Watch out for...the Little People



Kenji Uranishi and Mel Robson met in 2006 when Kenji moved to Australia and found himself sharing studio space with Mel at Fusions Gallery in Brisbane’s Fortitude Valley. One day Kenji decided to try his hand at slip casting, and made the little people as a bit of an experiment and a bit of fun. When Mel saw them, she couldn’t resist finding them a little something to wear, and created their outfits using scraps of decals she had in the studio. The Little People were born!

Kenji and Mel began photographing them in all kinds of places and scenarios, and documenting their adventures on the blog Sandwich Mountain. Since then they’ve been skinny dipping on the beaches of North QLD, fought off crocodiles in the Daintree, swanned around the Venice Biennale, visited ancient castles in Japan, walked down Pennsylvania Avenue with Barack and Michelle Obama.


And things are about to get more exciting as The Little’s prepare for a visit, en masse, to Sydney for the Australian Ceramics Triennale. From July 10th to 26th the whole gang will be at Object Gallery. They’ll be making regular forays out into old Sydney Town and around the conference venues, so keep your eyes out for them. You just never know where they might turn up…

Sunday, July 5, 2009

Water, water everywhere but not a drop to drink- The Watery Contradictions in the work of Merran Esson


The unique, monumental sculptural works of Merran Esson will be on show during the Australian Ceramics Triennale. These evocative forms nag at the edge of Australian identity with their echoes and resonances of tanks, rusted cars and rural junk. Merran's work encompasses the domestic, industrial and rural landscape juxtaposing form and rich, layered surface.

I find it interesting that these works evoke country Australia so strongly yet the colours and glazed surface retain links to the humid coastal strip. Everything in this work leads to water. The corrugations of the tank like forms and almost rusted glazed surface remind the viewer of the constant search for this precious commodity in rural Australia at the same time as the blues and greens of the glazes and richness of the pallete remind one of the ocean.

LYNDA DRAPER, MERRAN ESSON & FIONA MURPHY
When:
07.07.2009 - 25.07.2009
Where:
Stella Downer Fine Art - Waterloo, Sydney

Merran Esson is also the head of the organizing committee for the Australian Ceramics Triennale and has spent many hours gathering information, contacting artists (which is a bit like herding kittens) and planning for the extravaganza!

Thursday, July 2, 2009

The Many Facets of Woodfiring Academic Owen Rye


Owen Rye is an Australian ceramicist and has worked in many aspects of ceramics including archaeology, teaching postgraduate students, making and exhibiting woodfired work internationally, delivering workshops in Australia and the USA on woodfiring, curating Australian survey exhibitions, organising conferences, and writing books and articles for many ceramics magazines in Australia, England, Germany, and USA. His work is in the ANG and most state collections and many regional collections in Australia, as well as public collections in USA, China, Korea, Germany, and Japan. He is a member of the International Academy of Ceramics.

He sent me this lovely photo of a woodstack for the blog as he happens to like them very much. The woodstack combined with Owen Rye's favourite pot are sure to get wood firer's hearts racing!

To get to know the surreal facts of Owen Rye's illustrious career you can read from a chinese website that he.....
"He covered the creation of history from the 1960s to the 21st century a long time, is still using an independent creators of the gesture, to continue in his studio in the text, the ceramic creation."
And
"Owen Rye can persist for decades creation, to herein is aware of the fun!"
Rye has also been described as:
"....one of the very few ceramists who is equally articulate about clay as he is with it. He seems especially fascinated by an ongoing conundrum: information about his art and craft continually leads him to simultaneous states of understanding and mystification – a condition he perceives as delight. "
Jack Troy, Huntingdon, Pennsylvania, USA June 9, 2007

Owen Rye is moderating what promises to be a lively discussion on education at the Australian Ceramics Triennale, featuring Janet Deboos, Bruce McWhinney and Shannon Garson from Australia, and Elaine Henry and Kim Dickie from the USA, this panel will examine issues such as the past and future of Australian ceramics; a comparison of the current state of ceramics in the USA and Australia; the role of institutions in ceramic education, workshops, residencies, apprenticeships and other ways of learning, and new methods of communication and their role in education.
Panel members will not give talks as such – discussion will focus on questions they consider important, and on questions raised by audience participants.
Education panel: Monday the 20th July

Wednesday, July 1, 2009

A view from the studio with- Avital Sheffer

"I walk the 55 steps between home and studio through the orchard, trying not to lose that fleeting state between sleep and wakefulness, where ideas emerge and solutions are found. There's always something ripe for the picking, now it's citrus, rolinia, jaboticaba, pecan, star fruit time. Planting trees is a good remedy for homesickness, I literally had to plant hundreds of trees before I began to feel at home in Australia .

A female python is a permanent resident in and around my studio. She is four meters long and as thick as my arm. Early this year, brooding on eggs, fiercely and tenderly protecting them, she never lost physical touch with the eggs for three months. The moment the first egg hatched - she left, emaciated an exhausted. She is back now, glamorous and formidable, some days I have to negotiate entering the studio as she is languidly draped across the steps and would not budge. In some mysterious way that escapes my reasoning this glorious creature, coiled on the bedrock of my imaginings, fertilizes my work. Archetypal, primal forms, mythologies and secrets are at the heart of my work."


These mysterious objects are the sculptures of Australian ceramicist Avital Sheffer.

Avital's forms contain layers of meaning and keep revealing themselves in a process akin to archeaology, what at first seem like an contemporary anthropological vessels, shift to reveal a sarcophagus, which in turn becomes an ancient religous artifact. These forms utilize the playful aspects of the movement, overlaying meaning between the form and the surface in a beautiful, poetic way.
She says:
"My new work investigates how notions of the body, symbolised, and worshiped, travelled from prehistoric to contemporary times.

Ancient female figurines encapsulate beliefs, desires and fears that are deeply etched in the human psyche. The earliest artefacts expressing fecundity and beauty embody an inherent conflict between paganism, fetishism and the monotheistic religions that is still at play today.
From amulets through totems to the abstract notion of the divine, I’m intrigued by the shared origins of these seemingly antagonistic worlds captured in those elemental forms. I magnify and stretch my vessels in search of line, volume, form and surface so that they evoke the enigmatic primal feminine principle." (from Avital Sheffer's website)




Where to see:

White Heat - Australian Ceramics Association Exhibition

When: 12.06.2009 - 19.07.2009

Where: Manly Art Gallery & Museum - Manly

Avital Sheffer -Terra Anima

Where: Robin Gibson Gallery - Darlinghurst www.robingibson.net

When: 18.07.2009 - 12.08.2009

Heated Words

An exhibition of sculptural works by five woman artists ,curated by Bob Connery. Works inspired by works of prose, poetry or film. Artists: Avital Sheffer, Deb Cocks, Lisa Gair, Catherine Lane , Stephanie Outridge-Field

Where: Fusions Gallery - Brisbane

When: 24.7.2009 - 25.8.2009

Deep Earth - A touring exhibition to Regional Galleries

Where: Next at Glasshouse Art Gallery - Port Macquarie

When: 6.8.2009 - 27.9.2009

Monday, June 29, 2009

Come and see... Fiona Fell

An exhibtion of new work from Brian Doar, Steve Harrison, Gerry Wedd and Fiona Fell is opening on Friday the 7th of Jully at Legge Gallery.

Fiona Fell has been working with the figure for many years. Her sculptures tap into a collective subconscious where mermaids and two headed dogs roam the earth. For more on Fiona have a loook at this little interview.........

New Ceramic work by Brian Doar, Fiona Fell, Steve Harrison, Gerry Wedd
When:
07.07.2009 - 25.07.2009
Where:
Legge Gallery - Redfern, Sydney